Why did I love this book?
Eighteenth-century innovators came in many forms. Some were artisans, the craftspeople who made utilitarian things. Some were what were sometimes called toy makers, not because they made toys, but because they made baubles and trinkets for adults. Some were natural philosophers, whose innovations came in the physical sciences. And some were artists—creators of high-priced, highly-prized, and beautiful things. In this latter category, John Singleton Copley was America’s most accomplished. Perhaps the finest portraitist ever to paint in America, on the eve of the War for Independence, the young Copley left for Britain, never to return to the country of his birth. Kamensky’s intimate and moving portrait shows Copley, the ex-pat and loyalist, ascending to the pinnacle of the British art world. But far more importantly, it shows the price Copley and his family paid for this ascent, reminding the reader that innovation does not happen in a political vacuum.
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In this life of painter John Singleton Copley, Jane Kamensky untangles the web of principles and interests that shaped the age of America's revolution. Copley's talent earned him the patronage of Boston's leaders but he did not share their politics and painting portraits failed to satisfy his lofty artistic goals. A British subject who lamented America's provincialism, Copley looked longingly across the Atlantic. When resistance escalated into war, he was in London. A painter of America's revolution as Britain's American War, the magisterial canvases he created made him one of the towering figures of the British art scene. Kamensky brings…